Embracing jazz, working with Krautrock icon Conny Plank and becoming early adopters of orchestration, the German band often didn’t know what would come out of their studio sessions (LouderSound)
“No promoter would book us; they just didn’t know where we fitted in… we were victims of being ahead of our time”: With a future Uriah Heep singer and rapidly changing style, were Lucifer’s Friend prog?
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