Beset by overwork, listless colleagues and a family tragedy, Mikael Åkerfeldt felt like splitting the Swedish group apart as they worked through 2002’s Deliverance to get to 2003’s Damnation (LouderSound)

“Maybe they thought we wanted out of our contract, like when a band does a deliberately bad album”: Opeth gave their label two records for the price of one, and it nearly cost them their career
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