30 years since its release, Oasis’ debut album ‘Definitely Maybe’ remains a record that didn’t just spark a band, but drove a whole nation into an era of self-destructive hedonism, wild optimism, and sweeping change.
Words: Dan Harrison.
In the early 1990s, the British music scene was in need of a kick up the arse. The country was in the midst of an economic slump, with a generation of young people feeling increasingly disconnected from the political establishment and a bland cultural landscape. Enter Oasis, a band of working-class lads from Manchester who swaggered onto the scene like they owned it. Their debut album, ‘Definitely Maybe’, declared war on the boredom that had seeped into British rock. Released on 29th August 1994, it didn’t creep in quietly; it came steaming through the door, cracked open a can of lager, and made itself comfortable at the top of the charts.
Though Oasis would quickly establish themselves as the Manchester band, they didn’t arrive on the scene fully formed; their rise was the result of a series of fortuitous events and a relentless drive that would eventually see them become the biggest name in Britain. The origins of Oasis are rooted in another band, The Rain, a group that included Paul “Bonehead” Arthurs on guitar and Tony McCarroll on drums. They were humble beginnings — garage rehearsals, small-time gigs, and no real sense of direction. But The Rain were about to undergo a transformation that would change the course of British music.
The catalyst was the arrival of Liam Gallagher. Joining the band in 1991, he brought a cocky attitude and a voice that was nothing short of lightning. His presence, someone who demanded attention the moment he walked into a room, insisted the band stepped up a gear. With Liam on board, they rebranded themselves as Oasis, a name that would soon become synonymous with rock’n’roll swagger.
But it wasn’t until Liam’s older brother, Noel Gallagher, joined the lineup in 1992 that Oasis really began to take shape. Noel had been touring as a roadie with Inspiral Carpets, soaking up the music scene and honing his craft as a songwriter. When he returned to Manchester, he brought with him a batch of songs that would become the backbone of Oasis’s debut album, ‘Definitely Maybe’. Noel didn’t just want to be part of a band, though. He joined Oasis on the condition that he had complete control over the songwriting and creative direction, a move that would cement his role as the band’s chief architect.
Noel’s vision for Oasis was clear from the start. He wasn’t interested in the reflective, melancholy tones that had defined much of British indie music up to that point. Noel was inspired by classic rock – The Beatles, The Rolling Stones, T-Rex – and wanted Oasis to carry that torch into the 90s. His ambition was sky-high; he didn’t just want Oasis to be big; he wanted them to be the biggest band in the world. With Liam’s raw vocal power and swagger and the band’s undeniable chemistry, they had the potential to do just that.
The early days of Oasis were marked by camaraderie and tension, with the Gallagher brothers’ relationship providing both the creative spark and the volatility that would define their legacy. They were a gang of working-class lads with a chip on their shoulder and something to prove. Every gig was a battle, every song a statement. This was a band that thrived on confrontation, be it with each other, with the press, or with the world at large – something that would fuel the creation of ‘Definitely Maybe’.
Before they could make their mark on the world, Oasis had to conquer Manchester. The city’s music scene was thriving in the early 90s, with bands like The Stone Roses and Happy Mondays leading the way. But while these bands were steeped in the “Madchester” sound – psychedelic rock fused with dance music – Oasis were something very different. They drew on the same working-class roots, but their sound was pure rock’n’roll, with a rawness and intensity that was anything but new but still felt revolutionary. Manchester gave Oasis their start, but Noel was determined to take them far beyond their home city.
It wasn’t long before Oasis began to attract attention outside of Manchester. Their early gigs were chaotic affairs – raucous, energetic, and often unpredictable. There was something undeniable about the band, a sense that they were on the verge of something. By the time they released their first single, ‘Supersonic’, in 1994, the buzz around Oasis was deafening. The single was an instant hit, and it set the stage for what would come next: the release of an album that would not only meet expectations but blow them out of the water.
The formation of Oasis was a story of timing, talent, and sheer force of will. They were a band born out of the grit and determination of Manchester’s working class but with the ambition to take on the world. From those early days in cramped rehearsal spaces to their first taste of success, Oasis always had something to prove. And with ‘Definitely Maybe’, they proved it in spades.
Recording ‘Definitely Maybe’ was anything but straightforward. The journey from the band’s initial sessions to the final product was a turbulent one, marked by frustration, experimentation, and, ultimately, victory. Noel knew precisely what he wanted their debut album to sound like, but getting that sound onto tape was a challenge that nearly derailed the project before it even began.
The initial recording sessions took place at Monnow Valley Studios in Wales, with David Batchelor – known for his work with Primal Scream – on production duties. It seemed like a good match on paper, but the reality differed. The band quickly became disillusioned with the results. Noel Gallagher, always blunt, described the recordings as “crap”. The sessions failed to capture the raw, live energy that was the essence of Oasis. The band felt stifled, and the music lacked the punch and immediacy they knew was crucial to their sound.
They made the call to scrap much of what they had recorded and start all over again. This time, they headed to Sawmills Studios in Cornwall, a more remote location that offered the band the isolation and focus they needed. Sawmills was no ordinary studio; accessible only by boat or a long trek through the woods, it suited Oasis perfectly, allowing them to get away from everything and everyone, to immerse themselves fully in the recording process.
The move to Sawmills was a turning point. Producer Owen Morris was brought in to oversee the sessions, and his approach was precisely what Oasis needed. Morris wasn’t interested in polishing or perfecting the recordings; he wanted to capture their live essence. His method was hands-on and aggressive, stripping back the layers to reveal the core of what made Oasis so compelling. He focused on creating a wall of sound, using simple, robust arrangements that allowed the band’s energy to shine through.
One of the standout moments was the creation of ‘Supersonic’. Written and recorded in a single day, it was pure Oasis – immediate, confident, and completely unfiltered. Noel Gallagher famously wrote the lyrics in about half an hour, pulling together seemingly random phrases that somehow worked perfectly together. The song’s infectious riff and Liam’s sneering delivery made it an instant classic – a perfect distillation of what Oasis were all about.
But the true heart of ‘Definitely Maybe’ is ‘Live Forever’, a song that captured the defiance and optimism that set Oasis apart from their peers. As grunge dominated the airwaves with dark, introspective themes, ‘Live Forever’ aimed for something different. The song’s message was simple but powerful: life is worth living, and there’s always something worth fighting for. Noel Gallagher wrote it as a response to the nihilism he saw in much of contemporary music, and it became an anthem for a generation that was tired of being told to accept mediocrity. In the studio, ‘Live Forever’ came together with a palpable sense of purpose. Liam’s vocal performance on the track is one of his finest, full of conviction and belief. The song’s chorus, underpinned by a simple but effective guitar riff, was a classic from the moment it was created.
The recording sessions at Sawmills were intense, with the band working long hours to perfect their sound. And it wasn’t all smooth sailing. Tensions within the band often flared up, with Noel’s perfectionism clashing with Liam’s more freewheeling approach. The pressure to deliver something extraordinary was immense and weighed heavily on everyone involved. Yet, this very pressure pushed Oasis to create an album that never made do or compromised.
The final product is the sound of a band that knew what they wanted and how to get it. It’s loud, unapologetic, and full of attitude but deeply rooted in British rock’n’roll traditions. The album captures the spirit of northern youth, determined to break out of their circumstances and make their mark on the world. An album that was Mancunian in spirit – defiant, proud, with something outwardly confident in its step. As the cross-city rivals of the Gallagher’s beloved blues would put it – ‘hated, adored, never ignored’.
Ultimately, the recording of ‘Definitely Maybe’ was a test of Oasis’s resolve. They could have played it safe, stuck with what they recorded at Monnow Valley, and released a decent debut. But that wasn’t who Oasis were. They were a band that demanded more – of themselves, of each other, and of their music. And because of that, they ended up with an album that carried that same explosive force when the rest of the world finally heard what they’d made.
When ‘Definitely Maybe’ hit the shelves on 29th August 1994, it was as if a wrecking ball had been taken to the established cultural order. Britain had been waiting for a band like Oasis – though perhaps they didn’t realise just how much until they heard that first strutting blast of ‘Rock ‘n’ Roll Star’. The album stormed to Number 1, setting a new record as the fastest-selling debut in British history. For a moment, it seemed like the entire country was talking about Oasis. Here was a band that didn’t just speak to the youth of Britain; they shouted for them, loud and clear.
Oasis’s success was more than just clever marketing or hype. It was the result of a genuine connection with their audience. In 1994, Britain was a country that had endured over a decade of Tory rule, with all the social and economic hardships that came with it. The recession of the early 90s had left a generation disillusioned and disaffected, struggling to find their place in a world that seemed increasingly indifferent to their existence. Tory rule, recession and grey men in grey suits. This was a time when the optimism of the post-war boom had given way to something much bleaker. For many young people, the future looked like an endless cycle of dead-end jobs, high unemployment, and little hope of escape.
And then, out of the northern skies of Manchester, came Oasis. Here was a band that embodied the defiant spirit of the people, with songs that spoke to everyday struggles and dreams. Oasis weren’t polished or pretentious art school types; they were raw, authentic, and utterly unapologetic. Their music wasn’t about subtlety or introspection – it was about living in the moment and believing that you could be more than what you were told to be.
The cultural impact of ‘Definitely Maybe’ was immediate and profound. Oasis dominated. The album’s anthems – ‘Rock ‘n’ Roll Star’, ‘Supersonic’, ‘Live Forever’ – became rallying cries. These are songs that celebrate the idea of ambition, of dreaming big even when the world tells you to keep your head down. For many, ‘Definitely Maybe’ was a lightning rod for something greater, a reminder that there was something worth fighting for, even in the face of adversity.
Critics were quick to recognise the significance of what Oasis had achieved. ‘Definitely Maybe’ was hailed as a return to form for British rock, a genre struggling under the weight of American grunge. While bands like Nirvana and Pearl Jam were defining the musical landscape across the Atlantic, Oasis offered something distinctly ours — a sound rooted in the traditions of The Beatles and The Rolling Stones, but with enough of a modern twist that it was fresh and relevant. This wasn’t just a nostalgic throwback; it was a bold new chapter in the story of British music.
But it wasn’t just the critics who fell under Oasis’s spell. The fans – especially those who felt like they had been left behind by the political and social upheavals of the time – found something in ‘Definitely Maybe’ that they could relate to on a deeply personal level. These were songs about the realities of their lives, but they were also about transcending that mundanity. It was this combination of gritty realism and boundless optimism that made Oasis so appealing.
The album’s success wasn’t limited to the UK, either. While distinctly British in its sensibilities, ‘Definitely Maybe’ tapped into a universal desire for something real that spoke to ordinary people’s frustrations and aspirations. Oasis quickly gained a following across Europe and beyond, the early sparks of a cultural movement that would dominate the 1990s before bringing the entire established way of things crashing down with it.
By the end of 1994, Oasis had become more than just a band. They had given a voice to those tired of being told to settle for less. ‘Definitely Maybe’ laid the foundation for a legacy that would continue to resonate for decades. It was an album that didn’t just reflect the frustrations of the time – it transformed them into something powerful that people could rally around. While it wasn’t a political record, the fire it put in a disenfranchised youth most certainly was. Oasis became poster boys for something bigger – a generation ready to make some noise.
The appeal of Oasis was never just about the music; it was about the people behind it. Central to the band’s allure were Noel and Liam, a pair of working-class lads from Manchester who, in many ways, couldn’t have been more different. Yet, it was precisely these differences that made them the driving force behind Oasis. Their relationship was the stuff of legend, defined by a volatile mix of sibling rivalry, creative tension, and a shared ambition that propelled them to stardom.
Noel Gallagher, the elder of the two, was the mastermind behind Oasis’s music. He was the band’s chief songwriter, and it was his vision that shaped ‘Definitely Maybe’. Noel had spent years working as a roadie, absorbing the music scene and honing his craft as a songwriter. When he joined Oasis, he wanted to create something that would last. His approach was methodical and precise. He brought a sense of direction and purpose to Oasis that transformed them from a group of lads with guitars into a band on a mission.
Liam Gallagher, on the other hand, was all instinct. Where Noel was deliberate, Liam was spontaneous. He was the frontman, the face of Oasis, and his presence was as much a part of the band’s appeal as the music itself. With his piercing blue eyes, shaggy haircut, and distinctive nasal voice, Liam embodied the spirit of Oasis – brash, defiant, and utterly compelling. He had a natural charisma that drew people in, whether they loved or hated him – the perfect foil for Noel’s more measured approach.
The dynamic between Noel and Liam was the band’s greatest strength and biggest challenge. On stage, their chemistry was undeniable. Liam’s raw vocal power brought Noel’s songs to life in a way that no one else could. Tracks like ‘Rock ‘n’ Roll Star’ and ‘Live Forever’ were elevated by Liam’s delivery, which dripped with arrogance but was lined with an underlying vulnerability, turning every performance into an unpredictable affair. Off stage, however, the relationship was far more fraught. The brothers were known for their fiery tempers and constant bickering, often coming to blows over the most minor disagreements. But the same tension also drove them to push the boundaries, to create music as intense and unpredictable as their relationship.
During the recording of ‘Definitely Maybe’, that tension came to the fore. Ever the perfectionist, Noel was determined to make the album sound exactly as he envisioned it. He was relentless in the studio, pushing everyone to their limits to achieve the sound he wanted. Liam, meanwhile, was more focused on the performance. He was less concerned with the technical aspects of recording and more with how the songs made him feel. This clash of approaches led to frequent arguments, but it also led to some of the album’s most potent moments. The raw energy that characterises ‘Definitely Maybe’ is, in many ways, a direct result of the push-and-pull between Noel’s meticulousness and Liam’s spontaneity.
Despite their differences, the Gallaghers shared a common goal: to make Oasis the biggest band in the world. This ambition was the glue that held them together, even when their relationship was at its most strained. They both understood that Oasis was bigger than either of them alone, and this understanding drove them to put aside their differences, at least long enough to get the job done. Every song on ‘Definitely Maybe’ reflects the brothers’ combined talents – Noel’s songwriting and Liam’s vocal delivery – working in perfect-imperfect harmony, even if that harmony was hard-won.
The public quickly latched onto the dynamic between the Gallagher brothers. They became icons not just for their music but for their personalities; not exactly the “good cop, bad cop” duo of British rock – both had a gob on them that could cause a minor national incident – but two poles constantly repelling and attracting each other. Their feuding and candid interviews made headlines, making them one of the most talked-about acts of the 90s. The media played up the rivalry, often portraying it as a Shakespearean struggle between two brothers vying for control. But for all the drama, there was a deep bond between Noel and Liam, rooted in their shared background and experiences. They may have fought like cats and dogs, but for the most part, they were also fiercely loyal to each other and to the band they had built together.
Noel has often reflected on the early days of Oasis with a mix of pride and nostalgia. He has acknowledged that the tension between him and Liam was both a blessing and a curse, driving them to create some of their best work but also leading to some of their darkest moments. For Liam, the early days were simpler times, when it was just about the music and the thrill of being in a band that was taking over the world. Both brothers recognise that without each other, Oasis wouldn’t have been the phenomenon they became. Their relationship may have been turbulent, but it was also the spark.
As ‘Definitely Maybe’ drove Oasis to become the biggest band in Britain, the Gallagher brothers were thrust into the spotlight. They were rock stars in the truest sense of the word – unfiltered, unapologetic, and larger than life. The media couldn’t get enough of them; every move was scrutinised. But through it all, Noel and Liam remained true to themselves and each other. They were brothers first, bandmates second, and this bond, for all its ups and downs, was the foundation upon which Oasis was built.
By the time 1994 drew to a close, ‘Definitely Maybe’ had done more than introduce Oasis – it had started the sands shifting for a new order of things. The album wasn’t just a critical and commercial success; it was part of the catalyst for a Britpop scene that would define the UK’s landscape for the rest of the decade. Oasis weren’t just another band amongst peers; they were a near gravitational force – an emerging duopoly with their eventual rivals Blur that would power the engine of cultural and even political change – and ‘Definitely Maybe’ was the record that made it all possible.
The album’s immediate impact was like wildfire. Considering that Oasis were relatively unknown outside of Manchester before that fast-moving buzz started to take hold, it was a remarkable achievement driven by genuine excitement. The success signalled a hunger for something new in British music – a desire to return to a confident, near-idiosyncratic identity that had seemed lost in the wake of grunge’s dominance.
Critically, ‘Definitely Maybe’ was a breath of fresh air. It was loud, unapologetic, and brimming with the raw energy missing from the charts. Reviewers praised the album’s immediacy and refusal to conform to the trends of the time. This wasn’t music for wallowing; it was music for living.
As the months went by, the influence of ‘Definitely Maybe’ began to spread far beyond the UK. The album found an eager audience across Europe and, eventually, in the United States, where listeners were drawn to its blend of British charm and universal themes of aspiration and defiance. Oasis became standard-bearers for a new wave of British bands, and their success paved the way for others to follow. The Britpop movement was born, and even though Oasis didn’t necessarily conform to the purest definition of the genre at all times, ‘Definitely Maybe’ only added to its opening salvo.
But it wasn’t just the music industry that felt the impact of ‘Definitely Maybe’. Oasis’ sheer spirit offered a message of hope and resilience, and the band struck a chord with listeners tired of being told to keep their ambitions in check. Tracks like ‘Live Forever’ and ‘Rock ‘n’ Roll Star’ became anthems for a generation ready to break free from the constraints of their upbringing and make something of themselves.
1994 was a pivotal year in British music. The tide was turning against the dominance of American rock, and the UK was ready to reclaim a place at the sharp end of global music culture. ‘Definitely Maybe’ helped propel those desires into something more tangible and undeniable. The album’s success gave British music a new sense of confidence and purpose, inspiring a wave of bands to pick up their guitars and aim for the stars.
In the broader sense, the early 1990s found Britain still reeling from the effects of Margaret Thatcher’s long and divisive tenure as Prime Minister. Thatcherism had left deep scars on the nation, particularly among the working class, whose communities had been fractured by deindustrialisation and the erosion of social safety nets. With her stern, authoritarian presence, Thatcher seemed to embody a force that stifled creativity and ambition among the youth, pushing them to the margins of society. By the time John Major succeeded her, the Conservative government was in its death throws, beset by infighting, scandal, and a general sense of fatigue. The now all too familiar sleaze and disarray of late-stage Tory rule only compounded the sense of disillusionment among the public, who were desperate for change.
In this atmosphere of political decay and social unrest, Britpop emerged as more than just a musical movement – it became a cultural revolt. Oasis, alongside other bands like Blur, Suede and Pulp, didn’t only capture the sound of a generation; they captured its spirit. The raw energy and unfiltered ambition of ‘Definitely Maybe’ spoke directly to a youth that had grown up under the iron grip of Thatcherism but was now ready to break free and reclaim their identity. The music of Oasis and their peers infused a sense of belief into the national psyche, a promise that things could be different. This burgeoning optimism spilt over into the broader cultural landscape, something that would eventually – at least symbolically – play a significant role in the Labour Party’s landslide victory in 1997. As Tony Blair’s New Labour swept into power, it felt like the culmination of a cultural shift that had been building for years – one that ‘Definitely Maybe’ had helped to ignite. The album – and the Britpop movement it spearheaded – didn’t just give Britain its voice back; it gave it the confidence to demand something new.
As ‘Definitely Maybe’ continued to sell in the months following its release, its influence only grew. The album was reissued multiple times, with each version cementing its place in the pantheon of great British records. Music magazines and critics began to reevaluate the album, placing it on “best of” lists and recognising it as a landmark long before nostalgia would have the chance to polish its lustre. It wasn’t just seen as a remarkable debut; it was spoken about as capital-letters-Important, a record that had captured a moment in time and transformed it into something timeless.
The end of 1994 marked the beginning of Oasis’s ascent to the very top. With ‘Definitely Maybe’, they had set the stage for what would come next – a rise that would see them dominate conversations, sell out stadiums, and become a genuine contender as the biggest band in the world. But it all started with that first explosive burst of energy, the album that didn’t just announce their arrival but demanded the world take notice. ‘Definitely Maybe’ wasn’t just the start of something; it was the beginning of everything.
As the years passed, ‘Definitely Maybe’ only grew in stature. What began as a loud, brash declaration of intent from a band of Mancunian upstarts became one of the most celebrated albums in British music history. Its appeal didn’t fade with time; if anything, it intensified, its songs continuing to resonate with new generations of fans who weren’t even born when Noel Gallagher first penned those iconic tracks. It became a cultural touchstone, a symbol of youthful defiance and the enduring power of rock ‘n’ roll.
Its influence was undeniable, not just in helping shape the Britpop movement but also in defining what a debut album could achieve. Noel Gallagher’s songwriting, which had seemed so audacious at the time, was now hailed as a sort of god-given talent to be ranked alongside witchcraft and the supernatural. Tracks like ‘Live Forever’ and ‘Supersonic’ were lauded as instant classics, placed alongside a lexicon of songs that had the benefit of time to add to their gravitas.
What made ‘Definitely Maybe’ endure wasn’t just the quality of the music – though that certainly played a part – it was that spirit – the sense that it captured a moment with uncanny precision, but it also transcended that moment, speaking to universal themes of ambition, struggle, and the desire to break free. For anyone who had ever felt stuck, who had ever dreamed of something more, ‘Definitely Maybe’ was the soundtrack to those dreams.
The album’s influence on subsequent generations of musicians is profound. Bands that came of age in the wake of Oasis’s success often cite ‘Definitely Maybe’ as a key inspiration. The record’s raw energy and unpolished production became a blueprint for countless bands who wanted to recapture that same sense of urgency and authenticity.
But ‘Definitely Maybe’ isn’t just a relic of the past; it remains a living, breathing part of the musical landscape. The album continues to sell, with reissues and deluxe editions introducing it to new listeners. Oasis disbanded, and the Gallagher brothers went their separate ways, but the music they created during those early days has proven to be immortal.
As they return to active service again next year, ‘Live Forever’ has lost none of its impact. Watch the crowd at any of Liam’s festival headline sets, and you’ll see those young enough to see the band’s 2009 split as something from the deep, dark depths of ancient history screaming back every word. Each generation has its own set of challenges, but the themes explored in ‘Definitely Maybe’ are as relevant today as they were in 1994. The album’s raw emotion and unapologetic confidence continue to inspire, offering a sense of possibility to anyone stuck in a dead-end situation. This is music that gives you permission to dream, to believe that there’s something more out there if you’re willing to fight for it, and the wild swagger to front it up while you do so.
‘Definitely Maybe’ set in place a legacy that continues to grow. The album’s tracks are still staples – a nation’s songbook, almost. Totemic works that still are the tentpoles of whole subcultures. The buzz around their return over the August Bank Holiday weekend wasn’t restricted to music circles. It was national news. From football forums to family breakfast tables, something was crackling in the air. That same energy that announced Oasis still promises as much as it ever did, proving that some albums don’t just stand the test of time; they define it. ■
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