Adele Renault’s studio is an old converted Korean church in Los Angeles. It’s a large, fascinating old building just down the road from some of the biggest gallery names in the world like Zwirner, but here, there is a quiet hum of the 10 freeway and a massive painting area that could almost be an old cinema in terms of scale. Here, the Belgian-born artist is far from the rural countryside she grew up in and now in the thick of the concrete landmass that is the sprawl of LA. And here, in these conditions, she is making paintings so precise and photorealistic, so airtight, that she is almost leaning into something abstract. They are stunning and a major moment…

Radio Juxtapoz, ep 162: Adele Renault Wants Her Paintings to Be Airtight
by
Tags:
Leave a Reply