Label: Cooking Vinyl
Released: 28th March 2025
Twenty years after strutting onto the scene in spandex and falsetto, The Darkness remain steadfastly committed to hell-for-leather maximalism. ‘Dreams On Toast’ arrives as their eighth studio album, and while the musical landscape has shifted dramatically since their breakthrough, the band’s dedication to theatrical, tongue-in-cheek rock remains admirably unwavering.
Opening track ‘Rock and Roll Party Cowboy’ sets the tone immediately, gleefully ticking off every possible rock cliché with the enthusiasm of teenagers who’ve just discovered their parents’ vinyl collection. It’s simultaneously a parody and celebration of rock excess, delivered with such conviction that you can’t help but be swept along.
The album oscillates between styles, from the pop-rock jaunt of ‘The Longest Kiss’ to the heavier riffs of ‘The Battle For Gadget Land’. There’s even a detour into country territory with ‘Hot On My Tail’ and ‘Cold Hearted Woman’, suggesting that no genre is safe from their musical mischief.
What’s particularly striking is how The Darkness manage to consistently and thoroughly poke fun at themselves. ‘Walking Through Fire’ includes a knowing wink about album sales that demonstrates their self-awareness (“We’re only doing this because it’s fun, don’t even think my mum bought the last one”), while ‘Mortal Dread’ tackles aging with all the flourish you’d expect.
The album reaches its most curious moment with ‘Weekend In Rome’, a surprisingly earnest ballad complete with orchestral flourishes and peculiar spoken-word segments about sandals and pork cheeks. It’s either brilliant or baffling, depending on your tolerance for their eccentricity.
Production-wise, the album is polished to a mirror shine, with every guitar lick and falsetto shriek placed perfectly to maximise impact. The whole schtick isn’t a million miles away from Weezer’s sillier theme moments – ‘Van Weezer’, anyone? – but with an added layer of British theatrical flair that’s uniquely Darkness.
‘Dreams On Toast’ won’t convert any sceptics – it’s not trying to. Instead, it’s a celebration of what The Darkness have always been: a band who understand rock’s inherent ridiculousness and choose to embrace it wholeheartedly.
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