Gordi has announced details of her third album ‘Like Plasticine’, alongside sharing new single ‘Peripheral Lover’.
The Australian indie-pop artist – aka Sophie Payten – will release the twelve-track record via Mushroom Music on 30th May, which includes previous singles ‘Alien Cowboy’ and ‘Lunch At Dune’ featuring SOAK.
“Summer in Nashville a few years ago, it was damn hot,” Payten says of the new single. “I was thinking about the beginnings of queer relationships – I’m talking real early, like so early that at least one person is still in the closet. Accepting the available love instead of it orbiting around you. There comes a breaking point, a demand, a pleading for honesty – and the relationship either explodes into the open, or melts from the periphery away into nothing. From these thoughts, ‘Peripheral Lover’ was born.”
“It’s a simple song with a simple message, and so I wrote KISS (keep it simple, stupid) on a post-it note and stuck it on my desk in Melbourne, while I layered up guitars and synths and drums. Me at my most ‘pop’ – terrifying and ludicrously fun.”
The accompanying video was directed by Jared Frieder, with Payten explaining: “A couple years ago, Troye Sivan texted me asking if I would help him write a song for a movie. We wrote ‘Wait’ for the film ‘Three Months’, which was written and directed by the talented Jared Frieder, and he popped into my head when I was wondering how to bring ‘Peripheral Lover’ to life with visuals. We flew to Dallas and shot on a 45-degree (celsius) day, as I dragged a kissing booth around the city. We’d put a call out to any non-male queer people in Dallas who were up for coming to the shoot and making out with a total stranger – unsurprisingly, an abundance of people showed up (and all went for drinks together after, bursting my heart open).”
Speaking about the album, Payten reflects: “Being surrounded by death made me think about how beautiful life is…. I thought about all the ways we are like plasticine in life – how forces we can’t control contort us into shapes, stretch us thin, and test our resilience. But sometimes, heart-wrenching change can be a thing of beauty. It was about making the music as undaunted as the stories within it.”
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